Sound vortex/effector

An item that organizes the effectors of the Sound Voltex series.

Since the Sound Vortex series has a remix theme, people called effectors are responsible for inserting the effect mix into the song as well as producing the score.[1] Unlike other rhythm games , these effectors are specified in the form of Effected by ○○ , and depending on who the effector is, the tendency of the score changes significantly and even determines the popularity of the song, which is a very characteristic element. Perhaps thanks to this positive function, the number of rhythm games such as CHUNITHM and Arcaea that list the creator of the notes in addition to Sabol is increasing. The Polaris Code also discloses the name of the TASK DIRECTOR (producer of the song), and it seems that Sound Vortex's effectors sometimes participate in the Polaris Code. #

Among the effectors, there are many people who are related to music, such as DJs, composers, and Vocaloid P, whose main job is, and there are many people whose exact identity has not been revealed. At least the effectors belonging to Konami have been revealed to some extent through the booklet of SOUND VOLTEX ULTIMATE TRACKS -LEGEND OF KAC- and the staff role of Sound Voltex III . Among the people revealed in this way, there are not a few cases where programmers participate in the effects, whether it is because of a lack of personnel or for outsourcing punks , but this side is relatively less heard.

Taking advantage of this ambiguity in identity, there are cases where one person uses multiple pseudonyms while changing pattern tendencies. Hirayasu Matsudo and Ether99 are representative examples. The previous example is a case where there are two names, but looking at the case of TAG, it is possible that other effectors also have three or more names. For this reason, there is quite a lot of speculation that many of the effectors whose identities are not clearly revealed or who are treated as rookies are pseudonyms for other effectors.

As mentioned above , among the effectors, there are outsourced effectors who do not belong to Konami but have a separate job . Looking at Akizuki Nagomu 's reply and apology after actual play, it seems that outside effectors do not directly test play when creating patterns, regardless of whether or not they are Sound Vortex players.

In the case of effectors who have worked on more than 4 types of extra difficulty, there is a risk that the width will be too long and harm readability.
Therefore, instead of using the form above as it is, use the form below.

An effector who started working with Sound Vortex IV. Even though there are only 3 notes, the reviews on all patterns are quite bad because they are not fun to play, and the note patterns that seem to have been forced out to increase the difficulty level do not match the song, and the excessive trill patterns. The opinion is that although Noisy Minority is far-fetched, it is still fun. There is no activity after the three patterns that appeared in the early days of 4-ball.

Effectors who participated after the operation of Exceed Gear . The first 2 may be replaced with ll. It shows unique and innovative patterns that are difficult to find in other chaebo. He was quite active until Exceed Gear Season 1, but the songs he produced after Season 2 ended with Spear of Justice ADV and CadenzaMaiden .

 more detailsAkizuki Nagomu documentof3.2 number of paragraphsPlease note.

Effectors who participated after the operation of Exceed Gear . We mainly produce patterns for levels 16 to 18. Each pattern you make involves at least one type of fishing, whether it's hand crossing or hand arrangement fishing, so it's a good idea to familiarize yourself with it in advance. Daily typing also appears occasionally. It also features a wobble effect that differentiates it from other effectors.

It turned out to be the same person as Secret Lv.09, Undisclosed Hard Groove, and Probably Finest Dee One under the name of the effector of Undead Raving Scare . In fact, the notes produced by these artists contain the effect's unique ooble sound at least once.

One of Sound Vortex's programmers. Along with ki4ki4 and .424kHz, it is known as a synonym for effects with low transcription quality. Most of the patterns produced are not receiving very good reviews, with the overall quality of work being slightly low and feeling somewhat lacking.[2] If you look at it, there are quite a few clusters and semi-clusters. An example where all of these characteristics were combined and expressed in a bad way is朱と碧のランページEXH. Considering that the patterns that appeared around the same time were Wish Upon Twin Stars EXH and Growth Memories EXH, the difference from other effectors at the time is clearly noticeable.

After Infinite Infection, this has diminished somewhat. In the case of UnivEarth , there were quite a few reviews that the quality was subtle, but it was fun in itself, and NEO GRAVITY and Re：End of a Dream were also evaluated as well-filmed, although there were mixed opinions. The exception is NEO TREASON , which has received such rave reviews that it has been called a masterpiece or masterpiece.

In addition to the group/semi-group arrangement and completeness, there are differences of opinion due to the use of characteristic note arrangements such as the somewhat heterogeneous BT-FX complex synchronization and an unusual form of complex trill. Considering that he is a talented person, he seems to have his own fun points. At least, this is what differentiates it from effectors such as ki4ki4 and .424kHz.

Nevertheless, how long has been acclaimed since NEO Gravity , the evaluation of the creations produced among the general levels has increased, except for some difficulty.

He himself seems to enjoy playing Sound Voltex, and he says that sometimes there are matches on the standby screen. When he was a 3-ball player, he acquired Pokryongcheon, and his high-scoring photos in several high-level songs have been confirmed. #

It appeared in Sound Vortex III Gravity Wars Konaste with effects by rE:Voltagers. An effector whose activity level is very low, but who reappears once in a while, like a bean sprouting during a drought.

see documentation.

Effectors that have been involved since IV. Mainly produce patterns with a high proportion of knobs.

Same as Megacycle, the effector that appeared from the BOOTH 01 version. The origin of the name is presumed to be a pun on the English pronunciation of '敏腕FX'.
BOOTH stopped working after some effecting work.

An effector who has been active since the latter half of Exceed Gear. Special FX effects are frequently used to create notes that highlight one hand and notes overall.

It is presumed to be an alias for an existing effector rather than a newcomer. The unique FX effect is similar to the one used by 凹ーダー凸ード, and the ooble effect among the effects is similar to the ooble effect used by An East Scarlet. The initials of the name are the same as CRAIG AKAGI, and CRAIG AKAGI is also well-versed in unique effects.

An effector that debuted in the Exceed Gear Climax season. Perhaps because the name includes the concept , it is characterized by producing charts that match the specific tendencies of each effect radar for each song. The notes column indicates which radar is the highest for each MXM chart.

see item

‘Craig Akagi’. I started participating from IV. We mainly produce patterns of levels 16 to 17, and the patterns tend to require comprehensive processing power. Another feature is the frequent use of one-hand trills that are processed by turning a knob. Typhoon Craaash!! It also shows a one-hand trill that lasts for a whopping 7 seconds .

There are times when unique sound effects are used, such as the effector 凹ーダー凸ード, and perhaps for this reason, when collaborating, they are produced together with this effector. When it is produced independently, it is quite possible to guess that it is this effector just by listening to the sound of the knob effect because it uses a knob effect that is different from that used by other effectors.

I started participating from IV. It was revealed with the Xéroa effect , one of the final unlocked songs in Omega Dimension Phase 4. This is the first case where the debut work is level 19, but the pattern is a bit empty and light compared to songs composed with the assumption of high difficulty, so I did not hear good sound from the debut work. In the beginning, it received harsh criticism for the effects that did not match the basic knob glow, but the evaluation improved by introducing novel and interesting patterns with Devastated Territory , and the charts produced from Exceed Gear are receiving good reviews for their greatly improved quality and fun.

Similar to the Megacycle, it mainly excludes fishing and plays with standard patterns, and has a strong one-hand tendency, but the knob is more utilized than the Megacycle. In addition, there are high-density explosions in Xéroa and夢幻泡影, Sunflower Vibes , EGOISM 440 (Ange;art remix), and Fun walk!! He is well-versed in high-level and special patterns, such as showing intense knob luminescence. Although he is an effector who debuted at level 19, he has never been in charge of level 19 since his first draft.

He also uses the name strassen.

The president and DJ of EXIT TUNES at the time . He participated from the beginning of the blockbuster and has been inactive since 2.

My main job is a producer/DJ specializing in hard style .[6] He mainly makes patterns for mid-levels below 13. He has not been active since 3.

Although he stopped working as an effector a long time ago, he continues his relationship with the BEMANI series by providing songs for DANCERUSH STARDOM .

Read it as DJ sets. He has been active since his debut in II 46, and was later revealed as a Konami staff member. He is a sound designer by profession.

Right angle knobs and BT chip complex transcriptions are often used. This pattern first appeared in PANIC HOLIC 's GRAVITY chart and later appeared in Invitation from Mr.C , establishing itself as the identity of the effector. However, there are cases where such patterns are overused, such as in Crack Traxxxx GRV transcription, and there are also reviews that the effect breaks the atmosphere of the song. Crack Traxxxx GRV has not been involved since the production of charts.

From IV, he appeared as an effector for CHERNOBOG . Most of the charts are intellect-oriented, but there are definitely negative opinions due to the forced notes that do not match the song like .424kHz and the part where the notes are squeezed in with artificial effects, and there are definitely likes and dislikes that the essential fun is sufficient, including the two charts above.

An effector that debuted in September 2022 with the XCD pattern of smooooch・∀・KN mix. After that, he did not appear for a while, but his activity is increasing in 2023. The unique thing is that I am mainly in charge of extra patterns, and it was only after I created 3 XCD patterns that I was in charge of regular patterns. The first 19 levels are also written by XCD.

The main tendency is to frequently add characteristic patterns to each song, such as the FX long job + FX multiple hits + hand crossing knob of smooooch・∀・KN mix There are many difficult and unique patterns , so most of his notes have a distinct personality. The expansion and tilt production is also quite heterogeneous compared to other effectors.

The evaluation of the regular notes is generally good, but there is a tendency to secretly talk about the extra notes, such as the strange one-hand of Candy Colored Hearts , the scratch knob + simultaneous stroke of到達してしまった僕らと夢と希望の最之果, Because of patterns that may feel unreasonable to some people, such as ΕΛΠΙΣ 's polyrhythm that deviates from the level and Halcyon 's excessive implementation of 32-bit notes, the evaluation of these extra notes is quite divided. Of course, there are also extra notes that are well-received, such as Lieselotte andデッドボヲルdeホームラン.

Although it is not as common as からあげブラザーズ, there are many subtle variations of the name. Mainly the word fractal is changed or[10] , a method of inserting a specific phrase before or after the name. When in charge of solo level 19, he uses the name Fractal→∞ Strike!![11] Please note that each name is listed in the list of patterns produced. It can be seen that there are more modified names than the original names.

There are cases of matching in the arena # , and sometimes a level 18 PUC record is observed at the national top, # so it seems that he also enjoys playing Sound Vortex. As of May 20, 2025, he is quite capable with a ball force of 20.725.

The effectter debuted in the Ixid Gear with Hexa Diver Chaehong's silver makjunュ ュ ラ ラ. Since his debut, he has been active in almost one update. There are many neat treasures that use the right -angle knob checks and chip notes blows, and even though they are from the Ixid gear, they do not have a complicated twist or visual confusion. This does not mean that you don't fish, but you can break the UC with a simple fishing. The pattern trend requires complex intelligence centered on keyboards, and the pattern of knob manipulation is important for each song.

A pattern maker who has been active since the days of BOOTH. He mainly uses curved knobs, and often uses difficult one-handed patterns. On WAVE and CRITICAL LINE , he also showcases complex trills and erratic lightning knobs. He is well-received for his good handling of the curved knobs, but his one hand and note placement are sometimes disliked.

From IV, activity becomes very low, and from V, there is no activity. He appeared again as Destr0yer in Sound Vortex Exceed Gear , but there was no news after that, and then LegenD. The combination of the XCD pattern with the reverse ball legend appeared as it is.

From IV, he participated as an effector for MONOLITH. I tend to use a lot of fishing-like right-angle knobs that actively use lane departure and even utilize the reverse arrangement of notes. In addition, the overall difficulty is increased by frequently using one-handed patterns that are complicated and difficult to handle in terms of hand movement. This unprecedented one-handed effector is divided into likes and dislikes.

As a side note, if you write the effect of the effectter as a Katakana and read it upside down, it is a ン ン ジ (Mamanji), which was a new word in Japanese young people. See the door for details .

From Ⅳ, he appeared as an effector for Blue Stream . The usability of the notes stands out. While Lightning Lobster and SALMON GRAPHY, which are effectors focusing on the same note songs, increase the difficulty with unorganized and irregular explosions, this one tends to increase the difficulty with organized and honestly difficult note patterns.

Although they have something in common, a note-centered pattern, the elements that increase the level of difficulty for each song are slightly different. There are also cases where the difficulty is raised using standard methods, such as 4 simultaneous hits with an ambiguous speed such as 6 beats ( petit espoir , 7-7-夕, etc.), or simultaneous hits between explosive hits that are somewhat difficult to recognize ( 7-7 , etc.). There are also times when straight beats (lasers) of 16 beats or more ( Bioslaves , Sudden Visitor ,トキノコエト, etc.) or high-speed stairs ( TOKAKU=ALMiRAJ , JACK -the KING Ki11ing-, etc.) are used. To sum it up in one word, put everything you need in it.

It is similar to the seven-color method in that it is an organized pattern, but in the case of Kamui Noko, the proportion of twisted knobs is much smaller. The evaluation is good because the patterns produced do not look messy and are fun to play. The fact that there are few unreasonable patterns in each level is also a highly rated factor. However, in the case of the flower fire released in BPL3, many people seem to feel that a pattern such as BPM176 BT-C 24-bit 7 consecutive hits is unreasonable within level 18.

Sometimes, something is added to the end of the name, such as kamuy noko include or kamuy noko abstract.

Even though he has a fairly long career, working from Ⅳ until now, he has never produced a high-difficulty pattern higher than level 19, but he produced his first level 19 about 7 years after debuting with JACK -the KING Ki11ing- .

He also appeared in GAMBOL (dfk SLC rmx) 's ADV jacket, and considering that EXH jacket's ぴろ and INF jacket's JONY.C are both staff, it is highly likely that this person is also a staff member.

He was a programmer for the Reflex Beat series and the home IIDX .[19] He is currently the director of Sound Voltex.
According to Remywiki, she is currently a staff member for Mahjong Fight Girl .

There are only 4 production patterns[20] Users without hesitation consider it to be the worst effector. If we were to list the patterns we created, they were full of patterns with a lack of understanding of sound vortex, such as Space War INF, which largely copied the EXH pattern, Naona INF, which was considered not even fun for various reasons such as too fast and frequent hand switching and overuse of semi-group placement, and Shinnim Wind-up GRV. I don't know if the patterns were evaluated very poorly or if it was just a pinch hit, but it hasn't been seen since God's Wind-up GRV.

A knob artist who appeared like a comet at the end of Sabol 2 (...). The production pattern is small, but the impact is great. As an effector, he mainly produces triangle-shaped knob songs.

There is a lot of overlap with TAKUYA, such as resuming activities or taking a break, so it is assumed that TAKUYA is a pseudonym used when creating knob songs.

Note the item .

See item .

A low-level effector who has been active since the early days of Sound Vortex 2. We mainly produce patterns below level 16. Even up to Sabol 3, I hadn't knitted any of the old 15 patterns, but it looks like I started making level 17, which is in the middle of the old 15 levels, after buying 4 balls. After 5 balls, I made the first level 18 with Lazurite .[21]

An effector that appeared in Exceed Gear . As the name suggests, it often makes hand placement memorization songs that can be seen in Ghost Family Living In Graveyard , etc. It uses visual + hand placement bait very evenly, such as showing one-handedness where the knob starting point starts at the completely opposite point or starting in the same direction as the hand that operates the knob. Therefore, if you look at the effector radar, the HAND-TRIP side takes up a very large range, and the note pattern tendency basically has a unique style that is quite different from the general pattern.

노브를 특이하게 사용한다.カシオペアノヒカリ이나 Imperator 처럼 6볼에서 구현된 완전한 곡선 노브를 적극적으로 쓸 때도 있고, ENDGAME 처럼 직선노브를 여러 개 이어 붙인 노브를 적극적으로 사용하기도 한다. In both cases, if you look at the knob shape, you can see that this effect is clear. In addition, the movement of most knob patterns tends to be radical and fast.

Although it is an effector that has quite different opinions due to its unique characteristics, it has relatively favorable reviews, perhaps because it has succeeded in targeting the demand group for patterns that were difficult to experience in Sound Vortex. Rather , the BBKKBKK _ _ _

On the other hand, when writing notes, there are many similarities to Royal Cracker's score style, such as mainly using frequent pill notes and short long notes, so it is assumed to be a boo-myeong. If this guess is correct, it would be an unusual case in which the score written by Boo-myeong is relatively more well-received than the score written by Royal Cracker, which is always criticized.

See item .

The mitsu that writes the lyrics in Prim is right. His main job is as a composer, and he has submitted quite a few songs to Saball under the name of VALLEYSTONE. He currently has no activities as an effector.

It first appeared in Sound Vortex III Gravity Wars Conaste in December 2017 . The origin of the name is believed to be 'NOx', a notation for nitrogen oxides, similar to Ether99 . Seeing that it uses νοχ rather than νοξ in Greek letters, it seems to be read as knock rather than nox. However, in most cases, the English NOX is read as nox, so most people call it nox.

Sound vortex rarely shows long note finesse. It also uses new notes, nob patterns and development that you haven't seen before, and it is characterized by placing the knob according to the noteline when using the knob.

Because it shows a very different hand taste from other effectors made so far, some people like it as a new hand taste, and some people hate that hand taste, but it is receiving quite good reviews as a new effector . In particular , Turn the story received great acclaim for its well-organized blowout composition and heartbeat knob that fit the song, and also achieved the achievement of winning third place in the pattern category, beating out outstanding winning songs in the 10th anniversary popularity vote.

Some of the songs in the MXM transcription that this effector was involved in have a characteristic that the effector is different for each level of difficulty.

He is also one of the programmers of Sound Voltex.

See item .

See item .

The effector that started its activity at the same time as Exceed Gear started operating. I'm in charge of the 16th level low level pattern.

Exceed Gear debut effector. From the first song, he reached level 19 and showed a song of considerable difficulty and quality, which is why it is assumed to be an alias for an existing effector rather than a rookie. Since the overall debtor's tendency is similar to that of Feng-瑠人 or TEK-A-RHYTHM, there is a possibility that it is one of these two people or a joint venture.

Sammon Graphy.[23] Ichi- Go ! DX Pancake! A rookie who debuted with ADV and EXH's charter. However, despite being a rookie, his presence was quickly imprinted with his own firm effecting style.

It has a simple yet differentiated style that lays irregular and irregular note pokta as a base and inserts short right angle knobs or sustain knobs in the middle. Unlike other effectors, the weight of the keyboard is so great that you can hear the joke that this effector is playing a 6-key rhythm game in the chart made by this effector, so those who are weak in keyboards should be careful.

Lead Programmer at Sound Vortex. From Setsuna Trip, who was in charge of the effect for the first time, refugees were formed with layered stairs, and in Sakura Mirage and Thunderstorm Sandarbit, which were in charge of the latter , they used layered stairs without exception. Nevertheless, the response is good due to the unreasonable arrangement of the stairs and the appropriate density. Maybe it's because he's an internal development team, but his activity is lacking.

Effectors who participated from IV. As of April 26, 2019, only one effect was used: Libera me .

Appeared in Omega Dimension 5 as Ms. The higher the level, the higher the difficulty in terms of knobs.

A Konami staff member working on the Reflect Beat side. With the chart of the second VALLIS-NERIA, I pulled all the aggro all by myself. Generally, he uses a lot of continuous hitting, and the notes pouring in during the rotation of his identity, Nemesis, tend to be put in at least once in the high-difficulty chart. Because of this, despite the small number of Chaebo produced, the effector has a considerable notoriety and brings frustration to many players.

Strictly speaking, only a very small number of people have used this name in the effector name as a joint venture, but they are veteran effectors who have participated in pattern production since the beginning of the booth under many pseudonyms that will be described below. Related Official Q&A Similar to MAD CHILD and Hirayasu Matsudo, there are many patterns that have been collaboratively imitated using their own pseudonyms. After resigning from Konami, his activities as an effector ceased.

It is read as ‘SC Biometrics.’ Among the effectors used in TAG's pseudonym, he is by far the most well-known. He was seen intermittently during BOOTH and II, but became active starting from III.

Among other effectors, I often use patterns that require particularly fast hand movements, especially continuous 8-beat hand movements between knobs and notes.

Of course, other effectors also use hand movement at 8-beat intervals between knobs and notes in high-difficulty patterns, but if the BPM is high, they tend to require hand movement at intervals wider than 8 beats, or place diagonal knobs that require some compensation because the slope is steeper than right angles, or they tend to be used limitedly rather than continuously. However, in the case of SC biometrics, it almost always uses 8-bit hand movement regardless of whether the BPM is 180 or 220, and most of them use right-angle knobs and there is no particular reason for this, so this image is even more prevalent.[24]

In addition, the level of difficulty is increased with difficult bomb hits or occasional twisted knob flashes, making it difficult to make decisions and scoring difficult due to the high risk of derailment. Fortunately, except for Reb∞t and Garakuta Doll Play HVN, there are almost no patterns for songs with a BPM higher than 240, so the so-called intense hand movements are limited to around 220-230.[25]

Patterns whose difficulty increases rapidly at an instant (patterns with a high PEAK on the radar) are also frequently introduced. Typical examples include TOXIC VIBRATION 's 24-bit emission pattern or XyHATTE 's 24-bit trill emission pattern. Even if you are not limited to 24 bits, there are many transcriptions that are difficult in certain areas, such as Completeness Under Incompleteness . These points are the main reason why this effector is so popular.

The name SCライオット (SC Riot) is also sometimes used, and it seems to be mainly used for songs of high difficulty, and after IV, it is used for songs of level 18 or higher. The name SCイノセンス (SC Innocence) is also used, and it is a name used when producing tricky notes. Their activities became less active in the second half of IV, and their last activity was to produce the song for Vivid Wave's Daydream Café (Euro Hopping Mix).

In the past, it has been assumed that he is an official of the composer TAG or himself. He was responsible for most of his songs included in Sound Vortex, and the end of his activities overlaps with TAG's departure from Konami. After leaving the company, he directly revealed that he was in charge of pattern production for Sound Vortex. Points can be cited as evidence. In addition, The Sampling Paradise (P*Light Remix) used the name of IIDXで九段受かれないSCバイオメトリクス (SC Biometrics, which cannot achieve 9th dan in IIDX), and TAG is actually known to be an IIDX user at the 8th to 9th dan level. there is. And this turned out to be true when TAG himself revealed the name of his effector used in Sound Vortex.